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Online Guitar Tuner

Tune your guitar through your microphone, accurate to a fraction of a cent. Ten tunings including drop D, DADGAD and open G, plus reference tones if you would rather tune by ear.

Press Start tuning and allow microphone access. Nothing is recorded and nothing leaves your device: the audio is analysed in the page and thrown away.
Reference tones, no microphone needed

Tap a string to hear the note it should be. A green ring means the tuner heard that string in tune since you started.

How to get an accurate reading

Play one string, cleanly, and let it ring. A tuner works out the period of a repeating waveform, so two strings at once gives it two answers and it will flicker between them. Mute everything else with your palm.

Pick softly. A hard pluck sharpens the note for the first half second while the string is stretched, which is real physics rather than a tuner fault. Let the attack pass and read the steady part.

Tune up to the note, never down to it. Going up puts the string under tension against the tuning post and it stays. Arriving from above leaves slack in the post and the string drifts flat within minutes. If you overshoot, drop well below and come back up.

Go round twice. Tightening one string raises the tension on the neck and pulls every other string slightly flat. On a guitar with a floating tremolo it takes three or four passes to settle.

Cents, and how close is close enough

A cent is one hundredth of a semitone. The meter above shows how far the note sits from where it should be, and anything inside the green band, five cents either way, is closer than most people can hear on a single note.

Where it starts to matter is in chords, because errors add up. Two strings four cents apart in opposite directions are eight cents apart from each other, and that is audible as a slow beating in a held chord. If a chord sounds restless while every string reads in tune individually, that is what you are hearing.

One honest limitation nobody mentions: a guitar cannot be perfectly in tune with itself. Frets are laid out in equal temperament, so every chord shape is a small compromise. This is why an open G can sound sweet and a barre F sound slightly sour on the same perfectly tuned instrument, and why some players deliberately tune the B string a couple of cents flat.

When the tuner is not the problem

If a string reads in tune open but sharp at the twelfth fret, the intonation is out and no amount of tuning fixes it; the saddle needs moving back. If the first few frets play sharp while the rest of the neck is fine, the nut slots are cut too high. And if a string will not hold tune for five minutes, the usual culprits are a string that was never stretched in after fitting, a binding nut slot, or a tuning post that was wound the wrong way.

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Frequently Asked Questions

Press Start tuning, allow microphone access, then play one string on its own and let it ring. The meter shows how many cents sharp or flat that string is against the tuning you selected. Nothing is recorded and no audio leaves your device.
For pitch measurement, yes. This one resolves to a fraction of a cent, which is finer than the five cents a good clip-on displays. The real difference is noise: a clip-on reads vibration through the headstock and ignores the room, while a microphone hears everything. In a quiet room they are equivalent; in a loud one the clip-on wins.
Always up. Arriving from below leaves the string under tension against the tuning post and it holds. Arriving from above leaves slack in the post which works itself out over the next few minutes and the string goes flat. If you overshoot, go well below and come back up.
Because tightening one string increases the pull on the neck, which relaxes every other string slightly. It is not a fault. Go round all six twice, and three or four times on a guitar with a floating tremolo.
Standard, drop D, half step down, whole step down, drop C, open G, open D, open E, open C and DADGAD. Pick one and the reference tones and the meter both follow it.
Two reasons. Errors add up, so two strings four cents out in opposite directions are eight cents apart from each other, which is audible as beating in a held chord. And more fundamentally, frets are laid out in equal temperament, so no guitar is ever perfectly in tune with itself. Some players tune the B string a couple of cents flat to compensate.
No, that is real. Plucking hard stretches the string, which raises its pitch for the first half second before it settles. Pick softly and read the steady part of the note.
The meter will not, but the reference tones will. Tap any string button to hear the note it should be and tune by ear, which is a skill worth having anyway.
Shmulik Dorinbaum
Written by

Shmulik Dorinbaum

Working Musician · 20+ Years Songwriting & Performing · Hebrew Recording Artist

A 44-year-old working musician and father of two from Israel, writing and recording for over twenty years across country, folk and rock. Strum Avenue is where two decades of buying, breaking, setting up and arguing about acoustic guitars gets written down.

Raised on Chris Cornell, Brandon Boyd (Incubus), Eddie Vedder.