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Martin CEO-9 review
Martin

Martin CEO-9

9.1
Our Rating
starstarstarstarstar_half
Exceptional
Tone 4.5/5
Playability 5.0/5
Build Quality 5.0/5
Value 4.0/5
Aesthetics 5.0/5
Price From
$3699
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Our Verdict

A Limited 00 Martin With Sycamore That Reads Like Maple

The European sycamore back and sides on the Martin CEO-9, a wood choice Chris Martin IV selected for this CEO edition, produce a tonal profile that falls between big-leaf maple and koa. At 3,699 dollars street, this 00-14 Fret Martin pairs an Adirondack red spruce top with sycamore (sapwood) back and sides in a figured pattern that genuinely rivals the aesthetics of Custom Shop instruments. For parlor-body fingerstyle players who want a Martin with a different voice than the standard 00-28 lineup, the CEO-9 is a limited-run instrument worth seeking out before production ends.

At a Glance: Specifications

Body Shape00-14 Fret Grand Concert
TopAdirondack Red Spruce
Back & SidesEuropean Sycamore (Figured)
NeckGenuine Mahogany, Modified Low Oval
FingerboardEbony
Scale Length24.9"
Nut Width1.75"
ElectronicsNone (acoustic only)
OriginNazareth, PA, USA
Street Price$3,699

First Look: Design and Build

The CEO-9 ships in a Geib-style hardshell case with Martin's traditional CEO Edition badging. Owner-posted weights put it around 4.0 pounds, typical for a 00-size Martin and about 0.8 pounds lighter than a comparable D-28. The European sycamore back and sides show an eye-catching figure with flame curl that catches light like soft maple, and the CEO Editions are built in short runs specifically so Martin can use rare tonewood stock that would not be practical at production volume.

Cosmetically the CEO-9 is more restrained than the 000-28EC. Simple herringbone trim around the top, a small abalone rosette, and gold Waverly open-gear tuners: the appointments are vintage rather than ornate. The tortoise pickguard has a vintage beveled edge that matches the 00-21 and 00-28 Authentic models in the current Martin lineup.

Tone and Sound Character

European sycamore is one of the more interesting tonewoods to pass through Martin's lineup in recent years. It sits between rock maple and koa on the density scale and produces a clear, slightly glassy top-end that favors detail over warmth. In demo recordings of fingerpicked Chet Atkins patterns, individual melody notes jump out of the chord voicings with the kind of separation I normally associate with koa guitars from Taylor's K-series.

The 24.9 inch short scale combined with the 00 body shape yields a compressed bass response that fits well into dense mix environments. On strummed progressions in demo clips, the CEO-9 produces less low-end than a dreadnought but nearly the same midrange articulation, which makes it an excellent songwriter tool for pop and folk arrangements that already have a bass instrument in the mix.

Pair the CEO-9 with a capo at the 3rd fret for solo performances. The short scale combined with the sycamore back's articulation gives capoed chord voicings an almost mandolin-like clarity that suits Celtic and fingerstyle repertoire.

Playability and Factory Setup

Owner setup threads put typical factory action around 2.2mm low E and 1.7mm high E at the 12th fret, on spec with Martin's Nazareth setup targets and playable without an immediate trip to the tech. The Modified Low Oval neck profile is the same carve used on current D-18 and D-28 models: substantial under the palm but not chunky enough to fatigue a player through a 90 minute set.

The 1.75 inch nut width combined with the short 24.9 inch scale is an unusual combination that rewards players with medium to large hands. Cowboy chords sit comfortably and barre chords above the 7th fret require less left-hand pressure than on a standard 25.4 inch scale Martin. The shorter scale also reduces string tension, which makes bends and vibrato feel easier.

Build Quality and Materials

CEO Editions are built in small runs at the Nazareth facility by the same luthiers who build Custom Shop instruments. Owner reports describe flawless attention to detail: perfectly mitered binding, fret ends seated with zero sprouting, and an Adirondack top that is hand-voiced before bracing installation.

The sycamore back and sides are sourced from European suppliers in short annual batches. Because sycamore is not a protected species, the legal paperwork is simpler than mahogany or rosewood, which is part of why Chris Martin IV selected it for the CEO-9 run. The wood is kiln-dried for an extended period before building to minimize future movement.

Keep a hygrometer in your case when owning any Martin at this price tier. Adirondack tops are slightly more humidity-sensitive than Sitka, and the ideal range is 45-55 percent relative humidity year-round.

Who Should Buy the Martin CEO-9

The CEO-9 is for serious fingerstyle players who already own a dreadnought and want a smaller-body Martin with a distinct tonal character. Chet Atkins-style pickers, Celtic players, studio musicians who need a bright articulate acoustic for layering, and collectors who appreciate limited production runs all land here appropriately. Owners consistently describe the figured sycamore as even more striking in person than in photos, and this is an instrument you will want on a display stand when you are not playing it.

Skip the CEO-9 if you are a primary strummer (too small), if you need rosewood warmth (pick a 00-28 instead), or if you cannot justify 3,699 dollars on a parlor-body instrument. For strummers who want a short-scale Martin, the 00-15M at 1,899 dollars is a more sensible choice.

What We Loved

  • check_circleFigured European sycamore back and sides are visually distinctive
  • check_circleAdirondack red spruce top delivers vintage Martin headroom
  • check_circleShort 24.9 inch scale eases barre chords and string bends
  • check_circleNazareth-built with Custom Shop attention to detail

What to Watch

  • cancelLimited production runs make availability unpredictable
  • cancel00 body lacks the bass response for solo strumming
  • cancelSycamore tonewood is unfamiliar to some buyers
Questions

Frequently Asked Questions

CEO Editions are signature instruments designed by Chris Martin IV, the sixth-generation CEO of the Martin Guitar Company. They are built in limited production runs at the Nazareth factory and typically feature unusual tonewood selections, vintage appointments, and specifications personally chosen by Chris Martin IV. Past CEO Editions have used Madagascar rosewood, koa, sinker redwood, and most recently European sycamore.
Yes, for specific playing styles. Sycamore sits between rock maple and koa on the density scale and produces a bright, articulate tone with fast attack and moderate sustain. It is particularly well-suited to fingerstyle playing and detail-oriented recording work. It lacks the warmth of rosewood and the punch of mahogany, so it is not a universal substitute for either.
Martin has not published exact production numbers for the CEO-9, but CEO Editions typically run between 100 and 300 instruments total. Check Martin's website or your local authorized dealer for current availability. Once the run is complete, the CEO-9 will only be available on the used market.
Yes. Shorter scales produce slightly less string tension, which gives the instrument a warmer, more compressed bass response and makes string bends easier on the fretting hand. Strummed chords feel a touch slinkier, while fingerpicked passages retain their clarity. The short scale is a signature feature of Martin 00-body instruments and it is part of why this body shape is beloved by fingerstyle players.
Limited-edition Martins from the CEO series have historically held 80-100 percent of their original retail price on the used market, with some rare examples appreciating above MSRP. Condition and provenance matter: unplayed instruments with original paperwork command premium pricing. The CEO-9's unusual sycamore tonewood and short production run make it a reasonable candidate for long-term value retention.
Shmulik Dorinbaum
Written by

Shmulik Dorinbaum

Working Musician · 20+ Years Songwriting & Performing · Hebrew Recording Artist

A 44-year-old working musician and father of two from Israel, writing and recording for over twenty years across country, folk and rock. Strum Avenue is where two decades of buying, breaking, setting up and arguing about acoustic guitars gets written down.

Raised on Chris Cornell, Brandon Boyd (Incubus), Eddie Vedder.

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